Just as MediaMemo predicted, Walt Disney Co. has finally taken a stake in Hulu, the video-streaming site operated by General Electric’s (GE) NBC Universal, News Corp. (NWS) and Providence Equity Partners. Under the terms of the deal announced today, Disney will sign on as a joint partner in the venture and bring full-length episodes of long-absent programs like “Lost” and “Grey’s Anatomy” to Hulu. Financial terms and the structure of the deal weren’t disclosed, but sources say Disney’s stake in the venture will be close to 30 27 percent.

“From our landmark iTunes deal to our pioneering decision to stream ad supported shows on our ABC.com player, Disney has sought to meet the constantly evolving viewing habits of our consumers, and today’s Hulu announcement is the next important step in that ongoing journey,” Disney CEO Bob Iger bloviated. “Disney and Hulu share a focus on delivering the highest-quality entertainment experience and we look forward to working with Hulu to build value for our consumers, our brands and our shareholders.”

A few points worth noting here before the full press release below. This is mostly a broadcast deal. Aside from a smattering of Disney Channel shows, it includes very little cable programming. There is, for example, nothing from ESPN. Presumably, that’s because Disney doesn’t want to upset the folks who actually pay to watch that stuff.

Disney’s decision to join Hulu shows the company is confident that the site’s audience is distinct enough from audiences served by cable, ABC.com and its other sites that there’s no real risk of cannibalizing them. And that runs contrary to what many networks assume about online.

Disappointingly, there’s no mention in the release of classic animation, whether shorts or features.

As MediaMemo has noted, this is a big deal for Hulu, which has now allied with three of the four big broadcast networks.

CBS (CBS) is now the sole holdout among big program providers. When asked about its position, a spokesman replied with this statement: “CBS has long employed open, non-exclusive content partnerships that allow fans across the internet to engage with our programming in such a way that we control our distribution, sales and profit. We continue to discuss similar arrangements with additional partners as we grow our online audience based on the strength of our content, and the passion of the communities it creates. The Company also believes that controlling our own rights for that content–in all media–preserves its value in a multi-platform business system.”

Disney (DIS) to Join NBC Universal, News Corporation and Providence Equity Partners as an Equity Owner of Hulu

LOS ANGELES–Hulu and The Walt Disney Company today announced that Disney, through a subsidiary of ABC Enterprises Inc., has agreed to join NBC Universal, News Corporation and Providence Equity Partners as a joint venture partner and equity owner of Hulu, a leading online aggregator of video content. Upon closing, the agreement will enhance Hulu’s programming line-up through the expanded online distribution of Disney’s most popular current and library primetime series and library feature films. In particular, full-length episodes of hit current and library programs like Lost, Grey’s Anatomy, Desperate Housewives, Private Practice, Ugly Betty, Scrubs, Greek, Hope and Faith, Less Than Perfect, Wizards of Waverly Place, Phineas and Ferb, Who Wants To Be A Millionaire, General Hospital, The View and The Secret Life of the American Teenager will soon be streamed on Hulu on an ad-supported basis.

“From our landmark iTunes deal to our pioneering decision to stream ad supported shows on our ABC.com player, Disney has sought to meet the constantly evolving viewing habits of our consumers, and today’s Hulu announcement is the next important step in that ongoing journey,” said Robert A. Iger, president and CEO, The Walt Disney Company. “Disney and Hulu share a focus on delivering the highest-quality entertainment experience and we look forward to working with Hulu to build value for our consumers, our brands and our shareholders.”

“We’re honored to welcome the Disney team in our mission to help people find and enjoy the world’s premium content, when, where and how they want it,” said Jason Kilar, CEO of Hulu. “With the addition of shows like Lost, Desperate Housewives, Grey’s Anatomy and many more to Hulu, we continue to aspire to deliver a service that users, advertisers and content owners unabashedly love.”

Following the closing, content available to Hulu users will include:

• Full-length episodes of ABC primetime programs like Lost, Grey’s Anatomy, Desperate Housewives, Ugly Betty, Samantha Who?, Scrubs, Private Practice and popular late night talk show Jimmy Kimmel Live
• Full-length episodes of hit ABC Family series like The Secret Life of the American Teenager and Greek
• Popular series from ABC Daytime and SOAPnet like General Hospital and The View
• Classic series from ABC’s library like Hope and Faith, Less Than Perfect, Commander in Chief, Who Wants To Be A Millionaire and Dancing with the Stars
• Select hit programs from Disney Channel like Wizards of Waverly Place and Phineas and Ferb which can be easily accessed from a new DISNEY location in the Channel section of Hulu.com
• Popular library titles from The Walt Disney Studios
• Short-form content including webisodes, sneak peeks and episode recaps from ABC Entertainment, ABC Family and SOAPnet
“Hulu, quite simply, now has the best premium content on the web,” said Peter Chernin, president and COO, News Corporation. “With three major networks and over 150 leading content providers providing content, combined with the best video user interface anywhere on the web, Hulu offers consumers the finest premium online video experience available today.”

“Hulu has shown that if you make quality content available on the web and combine it with an unbeatable user experience, viewers will come, and so will advertisers,” said Jeff Zucker, president and CEO, NBC Universal. “The addition of some of the best content Disney/ABC has to offer will only enhance Hulu’s standing as a top site for high quality video entertainment.”

Jonathan M. Nelson, CEO of Providence, said “Hulu is creating significant value for users, advertisers and content owners. This balance, together with aggregated professional content and an expanding base of over 200 brand advertisers, is establishing Hulu as a compelling online video monetization platform. Hulu is a bright spot in the new media landscape.”

The transaction is subject to customary closing conditions, including regulatory review. As an equity partner, Disney will have three seats on the Hulu Board that will be held by Mr. Iger; Anne Sweeney, co-chair, Disney Media Networks and president, Disney/ABC Television Group; and Kevin Mayer, executive vice president, Corporate Strategy, Business Development & Technology. All other current directors from News Corp, NBC Universal and Providence will remain on the Hulu board.

For instance, BoomTown was in Rome earlier this week attending a conference on business, brand and innovation that happens only once every seven years–and one of the biggest takeaways? Hardly any Italians have heard of Twitter, and those who have don’t really use it. Well, that, and conversations with Arianna Huffington, Reid Hoffman, and several Italian business leaders. Mark Zuckerberg, though, is most definitely plugged into the white-hot microblogging service. This week, he used his Twitter account, plus an appearance on “Oprah,” as a platform to herald the launch of Facebook’s own Twitteresque homepage redesign. In other news, Time Warner (TWX) CEO Jeff Bewkes laid off AOL President and COO Ron Grant and Chairman and CEO Randy Falco. BoomTown interviewed Falco’s replacement, Google (GOOG) ad sales exec Tim Armstrong, who’ll start at AOL as Chairman and CEO on April 7.

MediaMemo had the full memo from Time Warner on the Falco/Grant-Armstrong transition and also spoke with Boxee CEO Avner Ronen this week. Boxee is the start-up that lets you watch Web video on your TV, basically bypassing your cable box. Which is probably why it’s caught up in a cat-and-mouse game with Hulu, the joint venture between GE’s (GE) NBC and News Corp.’s (NWS) Fox that would much rather have you watch TV on the Internet instead. Guess who’s the mouse? Still, Hulu is down two networks, ABC and CBS (CBS)–though presumably, the aim is to offer all three. (News Corp. is the owner of Dow Jones, which owns this Web site.) MediaMemo also noted that Google rolled out its behavioral targeting functionality this week and points out that we all might be hearing a lot more from a man named Rick Boucher in the near future as a result.

Behavioral targeting wasn’t the only thing that Google rolled out this week–it also launched Google Voice, the initiative based on the company’s acquisition of voice communications start-up GrandCentral. Digital Daily covered the story. Elsewhere in the telecom world, major Palm (PALM) investor Roger McNamee made some bold (read: crazy) assertions about iPhone users switching en masse to the Pre, which later needed to be clarified (read: backed away from) by Palm itself. RBC analyst Mike Abramsky is also bullish on the Pre and its WebOS, but in a less crazy way. He gave it a glowing write-up on Friday. For a product that hasn’t yet been given a price or a launch date, it’s certainly building itself some high expectations. Of course, it’ll need to fulfill them to compete with the ever-evolving iPhone, which for which Apple (AAPL) is having a press event Tuesday to announce version 3.0 of the device’s OS.

Walt Mossberg reviewed the new version of Apple’s ever-evolving iPod Shuffle this week, which has the distinction of being the first mp3 player to “speak.” His verdict was in Wednesday’s Personal Technology column. In Mossberg’s Mailbox, Walt answered questions about using a stylus with the iPhone and offered an explanation on how to change Apple’s Safari 4 beta so that it looks and works more like the previous version. And in this week’s Mossberg Solution, Katie Boehret took a look at iSkoot’s Notifier, an app designed to endow basic cellphones with smartphone-like capabilities.

More next week. And beware the Ides of March. Or not.

BoomTown was there Thursday when Facebook announced a new look for profiles and homepages that incorporates a “timeline” or “stream” of realtime updates. According to CEO Mark Zuckerberg, “This creates a continuous stream of information that delivers a deeper understanding for everyone participating in it.” It’s also reminiscent of some other sites, not that it’ll matter much in the long run. Speaking of Twitter, BoomTown got impatient waiting around for its revenue strategy to materialize and went ahead and started a “Twitter Business Plan Count-Up.” The Chia-Twit has potential, but the winning financial strategy so far, by a mile, is the “Snuggie-Tweet.” BoomTown describes it best.

MediaMemo was all (well, almost all) about old media vs. new media. This week. Hulu, which lets you watch Fox and NBC shows on your computer, has been playing tug-of-war with Boxee, which lets you watch Web video on your TV. Hulu and its TV programmer owners don’t really want you to have that option–the resulting standoff could be long and interesting. MediaMemo also reported on MegaVideo, the Chinese site that makes it easy to watch pirated TV shows and movies online, noting that Hollywood’s Napster moment has probably just arrived. Universal Music Group–which has already had its share of Napster moments–is discussing a music site with YouTube. According to MediaMemo, it would be the most likely way to benefit both YouTube and UMG–not to mention music fans.

Digital Daily must be getting tired of that same old economic refrain. Among the highlights of this week’s crappy news: the jobless rate in Silicon Valley is at 9.3 percent and getting higher. At least Google (GOOG) may be getting some big love soon–Vivek Kundra, President Obama’s chief information officer, famously switched 38,000 workers from Microsoft Office to Google’s Web-based office suite as chief technology officer for the District of Columbia. No word yet on office software for the new White House, but here’s hoping for a more secure Google Docs. DD also noted the lack of a release date for Palm’s (PALM) new Pre from Sprint (S). Apparently it’ll be a while longer before anyone finds out if the Pre really is an iPhone-killer.

On the Personal Technology front, Walt Mossberg gave Apple’s (AAPL) new Safari browser a mixed review, and offered his first impressions of Kindle software on the iPhone. In Mossberg’s Mailbox, Walt answered questions about reading periodicals on Amazon’s (AMZN) Kindle 2, keeping a monitor from going to sleep in the middle of a movie, and the benefits of a netbook for traveling. And in the Mossberg Solution, Katie Boehret took an early look at a new Oodle-powered Facebook Marketplace, and reported on its pros and cons.

Spring forward. More next week.

Super Bowl XLIII is nearly upon us, multimillion dollar ads in tow, and since there’s never been as much video, connectivity or interactivity as there is right now, the whole thing is shaping up to be quite the Web 2.0 extravaganza.

From YouTube to Twitter to Facebook and beyond, here’s your guide to all the digital venues available to view, vote on and even interact with in this year’s lineup of ad campaigns.

There is no shortage of sites on which to watch (and rewatch, again and again) the ads: NBC, the game’s official broadcaster, Spike, YouTube, and Hulu, to name just a few (see below for a list). Many of these sites have already aggregated a number of previews and will allow you to vote for your favorite commercials or rank them.

Speaking of Hulu, the video site has created a customizable Super Bowl ad widget that will allow you to display and vote on the ads and can be embedded into Web sites or blogs. The Hulu folks have also been spreading some talk about how they will “reveal the secret behind Hulu” during Super Bowl Sunday. Really, Hulu? We are sweating in anticipation (not).

Many of the companies whose ads will be featured during the game also have content on their corporate Web sites. Some–like the Orlando Sentinel–are playing coy, releasing only teaser clips about their actual ad–essentially creating a commercial about a commercial. It has something to do with a kid in a cape, accompanied by some very somber background piano music.

Others have already released full versions of their ads online. Internet domain company Go Daddy has put two titillating ads up on its site starring sexy race car driver Danica Patrick, fresh from her big debut last year. The company will also feature Internet-only ads with a more salacious spin on the made-for-TV ones.

Meanwhile, sites like Spotbowl and Superbowl-Ads have aggregated lots of information about the commercials. Spotbowl has collected industry rumors and reports and boasts a fairly detailed list of all of this year’s ad sponsors, noting the type of commercial(s) each will play and behind-the-scenes information on many of them.

Superbowl-Ads presents perhaps the most complete Web 2.0 package, which will not only feature the commercials online, but has established a Facebook and Twitter presence as well. Its Facebook site features much of the same content as the site, but also has a video viewer, news tracker apps and discussion board.

And you can even befriend the famous Etrade Baby, who will make another appearance this year. Find him on Twitter under “etradebaby,” although he hasn’t had much to say so far. At the time of this writing, his most recent, and rather cryptic, message was, “I have very little time or patience for clowns.”

You can also follow Superbowl-Ads on Twitter under “superbowlad,” or search #superads09 and #sb43ads for a constant stream of relevant links, information and chatter leading up to and going into the big game.

Meanwhile, Forrester analyst Jeremiah Owyang will be conducting a “TwitterBowl” experiment during the game whereby you can send in your votes to @superbowlads (with an “s” at the end), commenting on the ads and giving each a rating of up to five stars.

Even iTunes is in on the party this year, as you’ll be able to download original music from Pepsi’s SoBe Lifewater ad. Said commercial is one of the few that will be shown in 3-D, provided that you’ve picked up your new 3-D glasses, since the old red-and-blues won’t do the trick, apparently.

So digitally speaking, you’re all ready for the big game. That is, unless, you were looking for actual information about that big game, in which case you’d probably do better somewhere else.

Super Bowl ad watch sites:

NBC
Hulu
Spike
Superbowl-ads
Spotbowl
NFL
Fanhouse
Myspace
Youtube
Adweek

Chuck: Do we carry any Rush CD’s?

Morgan: No, but not to worry buddy! I have every Rush track on my Zune.

Chuck: Wait, you have a Zune!?

Morgan: Pfft! No, I’ll go get my iPod.”

– Some recent dialogue from NBC’s “Chuck” (see video below)

Microsoft is adapting its Zune digital music player to the “realities of the market”–those created by recent turmoil in the economy, as well as the harsher ones created by Apple’s (AAPL) iPod juggernaut. It’s slashing prices across the Zune line in the hopes of protecting holiday sales.

Once priced at $199, the 16GB Zune will now sell for $179. It’s 8GB counterpart will sell for $139, down from $149. And the 4GB Zune will sell for $99.

The price cuts come just two months after Microsoft (MSFT) introduced the third-generation Zune platform. “Hopefully we have a good holiday season,” Zune marketing director Adam Sohn told CNet’s News.com. “We’re trying to take into consideration what the realities of the market are.”

Those realities being as harsh as they are, is $10 to $20 off really going to be enough to trump financial concerns and temper long-running consumer disinterest in the device?

We’re waiting for the innovations. The innovation will come. We know it will come. We know it’s there.”

– Google CEO Eric Schmidt on the monetization of YouTube

Looks like the deal that brought “MacGyver” and other full-length CBS (CBS) TV programs to YouTube is one of many such agreements the site is pursuing with Hollywood. At least one of the big studios is nearing a deal that will bring its content to YouTube, perhaps by the end of this year. “It’s not imminent,” an executive with a major entertainment company told News.com. “But it’s going to happen. I would say you can expect to see it, if all goes well, sometime within the next 30 to 90 days.”

Under discussion, apparently, is an ad-supported streaming movie service similar to Hulu, the online video venture backed by NBC and Fox. Which is a perfectly good idea; Hulu’s proven it. But it’s certainly not an “innovation” in monetization or business model.

But it is, perhaps, an innovation in Google’s (GOOG) thinking. Because it suggests that the company has finally accepted the idea that major advertisers would much rather buy a pre-roll ad in, say, “The Office” than in “Cat Falls in Toilet” or “Leave Britney Alone.” And that’s something, right?

Breaking things down a bit further, Beet.TV reports that MSNBC.com received over 20 million unique visitors, nearly 250 million page views, and served up some nine million video streams yesterday. Meanwhile, CNN.com counted 27 million unique visitors during election day and 4.9 million live video streams–the most in its history.

Must have been that new holodeck that gave CNN the edge, eh?

To repeat: 200 million. Not bad, considering that Apple tossed NBC’s fall TV lineup off iTunes last year. And sales are certain to grow, now that all four of the major TV networks–ABC, CBS, Fox and NBC–are offering HD versions of its programs through iTunes. Which means Apple is well-positioned to take advantage of an online video market that In-Stat expects to hit $4.5 billion in sales by 2012.

Lest there be any doubt that DVR functionality was purposefully left out of Apple TV, consider this patent recently unearthed by AppleInsider. Filed in October of 2006, the patent describes not just a version of Apple TV capable of browsing and recording live TV programming, but a touch-based remote that could be preloaded with upcoming TV listings to facilitate it. From the patent:

For example, program data for upcoming programs, e.g., for the next month, can be downloaded and stored on the remote control device. Thereafter, a user of the remote control device can search programs that are to be broadcast and determine which programs to record. The recording settings can be programmed onto the remote control device, and then be provided to the video device when a data communication is established between the remote control device and the video device.”

Pretty slick, eh? Lots of additional possibilities here as well. One could easily imagine the iPod Touch and iPhone serving as the remote the patent describes. And if this next-generation Apple TV is capable of recording TV programming, why not make it the gateway through which such programming is delivered? How nice would it be to subscribe to HBO–and HBO alone–via iTunes? How nice would it be to subscribe to a season of “Weeds”? Or to a commercial-free season of “The Office” and skip everything else NBC has to offer? How nice would it be if the latest unwatched episode of “Weeds” on your Apple TV was automatically synced to your iPhone for later viewing? How nice would it be if new films opened on iTunes the same day they opened in theaters?

Pipe dream? Perhaps. Certainly, these scenarios would require Apple (AAPL) to ink some fantastical new licensing deals with Hollywood. And the two aren’t exactly seeing eye-to-eye all the time these days. Still, you never know. Stranger things have happened.

Anyway, together with NBC and Disney, AT&T has invested a combined $10 million in Vobile, a company whose VideoDNA is rumored to be the gold standard of video content recognition systems and is considering deploying it at the network level.

The mechanics of the initiative haven’t all been sorted out, but sources tell BusinessWeek that one scenario involves traffic on AT&T’s network being routed through racks of Vobile servers that would scan it for NBC Universal and Disney content. And perhaps child pornography as well, you know, just to make the idea of network-level monitoring a bit more palatable to the masses.

Such a strategy, if AT&T were to pursue it, would make the company the first major Internet carrier to implement a network solution to copyright enforcement. And it would beg a number of questions: Will AT&T police the Internet traffic of its customers alone? Or will it police traffic over all its backbones and peering points (IE: traffic from other ISPs)? The answers could be troubling.

Suffice to say privacy advocates who’ve been railing against AT&T over the NSA debacle and issues of Net neutrality aren’t exactly thrilled with the company’s latest move. “They better be very careful,” warned Lee Tien, a staff attorney with the Electronic Frontier Foundation. “This is serious, serious stuff, to basically invade the privacy of all of your subscribers.”